Radical comfort

Wellbeing stems from comfort, defined as feeling secure both physically and psychologically. Radical Comfort emphasizes a fundamental approach to design, prioritizing user needs over superficial aesthetics. It integrates physical, psychological, and environmental elements, aiming for spaces that foster true ease through biophilic elements and understanding human sensory experiences.

Note: This post explores the psychological and wellbeing benefits of naturism within biophilic environments. It contains illustrations depicting nudity and the human form.

Wellbeing is a direct result of comfort. When you are comfortable, you have greater satisfaction with your life (and work) and you are better able to achieve your goals. So, what is comfort? And, why radical comfort?

Comfort is about feeling at ease. It means that the physical environment is telling your senses that you are safe. It means reducing confused and contradictory inputs and it is very much about our psychological state.

Wellbeing is not just about design

Research on workplace wellbeing has consistently shown that the single biggest influence on wellbeing isn’t the design of the environment, but the culture of the organization. No amount of state-of-the-art biophilic design will cancel the effects of toxic management styles, lack of agency and extreme monitoring of every keystroke or toilet break.

The same applies in society. Authoritarian regimes seem quite keen to develop fabulous biophilic environments. Whilst I would never want to see those environments removed, they will never lead to true comfort when press freedom is restricted, political discussion is regarded as a threat to the state and human rights are abused. There is a whiff of ‘Bread and Circuses‘ about such installations.

So, what does ‘Radical Comfort’ mean?

The word ‘Radical’ is often thought of as being related to being revolutionary or promising major change, which it is. It also has an older meaning: of, belonging to, or from a root or roots; fundamental to or inherent in the natural processes of life.

Radical Comfort is a philosophy that seeks to satisfy human comfort at its root – at its fundamental, and unmediated level. It is the uncompromising pursuit of a state of physical, psychological, and environmental ease.

Radical Comfort moves beyond standard ideas of biophilic design by acknowledging that the most fundamental connection to nature and a sense of belonging in nature occurs when the individual is free from artifice, pretence and psychological barriers, which enable to them encounter their true selves.

Radical Comfort and design

Most design only achieves surface comfort, but Radical Comfort is a more holistic and evidence-based way of doing things. It could lead to spaces where the environment is perfectly tuned to the users’ needs. This evidence-based approach actually asks questions about what the user needs rather than simply assuming and imposing.

This approach to biophilic design is founded on the belief that human wellbeing is inseparable from our biological reality. It is a design language that honours the body as a natural component of the ecosystem, not an alien presence requiring separation and concealment.

Our search for aletheia (truth / unconcealment) drives the pursuit of Radical Comfort: the authentic truth of human wellbeing.

Physical Radical Comfort

This is design for the needs of the highly sensitive, unencumbered body. Specifically, thermal regulation, tactile sensation, acoustics and movement.

When our senses are free to work together, we are able to understand our environment with minimal mental effort. This reduces stress, frees up mental capacity and increases comfort. Our senses most effective at telling us the truth about our environment when they are unblocked and .

The touch points

By designing for the comfort of our largest sense organ, the skin, we need to reject materials that feel artificially cold, rough or sticky to bare skin. High quality, sustainably-sourced natural materials are worth investing in.

Textures make a big difference too. Wood, cork and moss not only offer greater visual interest, but the variety of different textures add to the tactile interest too.

Furniture should be designed without pressure points, harsh seams, or restrictive forms. The design should accommodate the fluid movement of the unburdened body.

We must also consider our feet

They are in near constant contact with the environment. When you think about it, our feet are remarkable parts of the body. We are naturally unstable structures – tall and top heavy – and by rights we should be constantly falling over. Our centre of gravity is about two thirds of the way up from the ground, yet our feet have a total area in contact with the ground of about only four hundred square centimetres (about two-thirds the area of a sheet of A4 paper). The nerve endings in our feet and the fine control of the muscles in our feet and legs work constantly to stop us crashing to the floor.

This means that we should allow our feet to experience the full properties of the surface. Fine changes to textures and warmth can be excellent, yet subtle, signposts to help us navigate a space more easily.

Invisible and untouchable elements: thermal and acoustic comfort

The unclad human form is highly sensitive to temperature fluctuation. A Radical Comfort space should allow, as far as is possible, as much individual control of heating, cooling and air flow. This is relatively easy in the home, but somewhat more difficult in an office or other commercial space. Having said that, some office furniture manufacturers have started to incorporate adjustable heating and cooling elements in desk tops that provide warmth around the wrists – an especially sensitive area that can help regulate body temperature.

I mentioned in a previous post about how getting into a state of flow can make the work day seem easier. Distractions can break that flow state, and it can take a long time to get back into it. One of the most frequent and annoying distractions is noise. Radical Comfort requires quiet (not necessarily silence) and the absence of distracting sound.

This can be achieved with a number of biophilic elements: plants and moss are good at absorbing and diffracting noise, and synthetic soundscapes that produce subtle non-rhythmic sounds, reminiscent of a breeze or waterfall, or even the lapping of waves on a stony beach have been demonstrated to be very effective at masking distracting noise.

Light and shadows

Radical Comfort takes into account our natural biorhythms and how we respond to light throughout the day. In our wild, ancestral state, humans evolved to respond to changes in light intensity and quality throughout the day. As the light changed, so various hormones were produced or supressed affecting our mood, alertness, appetite and sleeping patterns.

Fortunately, biodynamic lighting is available to replicate these natural patterns. In the home, smart lighting can be programmed to approximate the changes during the day, but in commercial buildings, really sophisticated systems can be deployed to great effect. Biodynamic lighting is even used in some aircraft to reduce the impacts of jet lag.

As well as the quality of light, we should think about how the light plays around a space – the shadows cast, the direction it comes from, glare produced and the interaction with paint colours. This requires careful consideration of wall finishes, ceiling heights, and reflective surfaces – even the use of mirrors to move light around a space to borrow views from the outside and bring them in.

We can even consider the Golden Hour effect in the context of an aletheic environment. The space could be designed to maximize soft, warm light during the hours of rest and relaxation. Low light levels can enhance relaxation and the feeling of wellbeing as well as reducing self-consciousness through shade and deeper shadows – a key step toward psychological Radical Comfort.

Psychological Radical Comfort

Comfort is not just physical, it is psychological as well. A good sensory environment is critical for our sense of safety, but we must also consider the mental environment as well.

In fact, good psychological comfort can outweigh the problems of a poor physical environment as long as there is a feeling of security and the ability to be one’s self without judgement or interference.

In design terms, a place of Radical Comfort is about creating a space where the user feels absolute security, privacy and agency. The user of the space decides who is let in, and under what conditions.

Such a space minimizes stress and the feeling of the need to perform, or to conceal, any aspect of the self.

This could mean the use of materials such as privacy glass in windows – allowing a view out, but restricting a view in – or the careful placement of screens and plants. These could be permeable to a degree to allow light and breezes in without ever fully exposing the private space.

On the other hand, places where complete trust and acceptance are found, such as in naturist venues, can be ideal spaces for being completely, authentically, uncovered without fear of judgement or objectification. The creation of new kinds of aletheic, naturist environments away from traditional settings is one that I am particularly interested in exploring.

The biophilic envelope

Radical Comfort seeks to guarantee a restorative environment by creating a seamless interaction with living systems (biophilia). This could mean designing interior and exterior spaces that are fully private and secure, creating a sense of being enveloped by nature. The space will allow for the safe experience of the liberated state, and is the key to turning a garden or room into an aletheic environment rather than just a pretty space.

Plants, water features, and textures are not merely decorative but should be used to deliver an optimized, positive sensory input. This could include using plants with pleasant scents (which is easier in a garden than indoors) and tactile qualities that invite one to touch and feel the foliage.

Plant displays can also be used to optimize the acoustic environment too. Research carried out as long ago as the 1990s showed how plants and plant displays could absorb, diffuse and refract sound. Indoors, they can be placed to reduce echoes. Outdoors, trees are especially good at absorbing noises.

Biophilic elements can be actively used to improve air quality and humidity to a therapeutic level, even exceeding standards such as the WELL building standard. Green walls, and especially the new generation of active air green wall systems, are very good at improving indoor air quality by reducing pollutants and improving humidity – something that would be especially beneficial to uncovered skin. When used well, the synergy of function and biophilic beauty can have a significant benefit.

My background in plant science and horticulture, as well as my long experience of biophilic design, allows me to focus on the use of greenery and other aspects of interior landscaping to maximize Radical Comfort. If you would like to learn more or would like some advice on a project, then please get in touch.